The Élysée on Heritage Days 2026

On 19 and 20 September 2026, for the European Heritage Days, the French Presidency opened its doors, and Timescope screened there for the second year “Au cœur du Palais” (Inside the Palace), an immersive film that travels back through three centuries of the Élysée’s interiors. Whether you discovered it in a headset that weekend or missed it, here is what the film shows, what it took to make it, and how to watch it still.

“Au cœur du Palais” is a 360-degree film, entirely computer-generated from the archives, that passes through six spaces of the Élysée at the moment that shaped each of them: the entrance hall open onto the gardens of 1722, Caroline Murat’s boudoir in 1807, the winter garden and the ballroom around 1890, the smoking room designed by Pierre Paulin in 1972, and today’s Salon doré. Screened at the Élysée in virtual-reality headsets and on four self-service kiosks during the Heritage Days, it remains available all year on your phone via elyseevr360.fr.

What the film shows

The film starts from a simple idea: at first glance, the Élysée looks like an 18th-century private mansion, courtyard, garden, pediments, panelling. In reality, it is a palimpsest. Each of its occupants left the taste of their era in it, and those are the layers the film peels back, room by room.

It opens with live footage of the main courtyard and the entrance hall, before the image tips into 3D to reopen, at its centre, the view onto the French gardens of 1722, as the architect of the hôtel d’Évreux intended.

The Élysée silver salon in 1808 in its original decor, Caroline Murat at the window, Timescope 3D reconstruction

The silver salon around 1808, in the original tones of the boudoir created for Caroline Murat, before the lilac it is known for today.

Then comes the silver salon, created in 1807 for Caroline Murat, the emperor’s sister: swan-neck armrests, lyre-shaped backs, neoclassical friezes, with the original furniture still in place, a rarity at the Élysée. The film shows it in its first decor, and recalls that it was in this room that Napoleon signed his second abdication, on 22 June 1815.

The Élysée ballroom in 1890, a ball beneath the gilded stucco, Timescope 3D reconstruction

The ballroom around 1890: a 600-square-metre hall for a Republic to receive the monarchies of Europe.

Then the Belle Époque. The winter garden, a conservatory commissioned by Jules Grévy in 1881, becomes again the jungle of exotic plants it was at the end of the 19th century. And the ballroom, inaugurated by Sadi Carnot on 10 May 1889, the year of the Eiffel Tower and the World’s Fair, comes alive with a period reception beneath its stucco celebrating the sciences and the arts.

The Élysée smoking room designed by Pierre Paulin in 1972, an alcove of organic forms and armchairs, Timescope 3D reconstruction

The Paulin smoking room, 1972: a retro-futurist decor dismantled since, which only the reconstruction lets you see again.

Jump to the 1970s: the Pompidous commissioned several rooms from Pierre Paulin, and the library’s alcove became a smoking room of organic curves. Nothing of it remains today, as Paulin designed an entirely reversible structure; the film is the only way to sit in it again. The journey ends in the present, in the Salon doré, the office of the presidents of the Fifth Republic since Charles de Gaulle: the furniture changes, presidencies follow one another, the thread of history never breaks.

Behind the scenes: reconstructing a room of which nothing remains

A convincing computer image takes a few weeks. An accurate one takes months in the archives. For “Au cœur du Palais”, eight months of work, co-produced with the Élysée’s heritage teams, began with one question per room: what do we have?

For the silver salon, a watercolour by Hippolyte Le Bas, around 1810, shows the boudoir in the Murats’ time and fixed the original shade. For the winter garden and the ballroom, the photographs of the Guérinet album, from the late 19th century, served as the main reference. For the Paulin smoking room, gone without a trace, it meant going back to the designer’s own references.

And then there are the rooms we chose not to reconstruct. The Pompadour salon in the marquise’s day, the Salon doré when it was Empress Eugénie’s bedroom: no period reference allows them to be restored rigorously, so the film does not show them. It is the rule we apply everywhere, and detail in our deep dive on lost heritage: you reconstruct what the sources allow, and you own what you don’t know. Once the 3D models were validated, 360-degree filming inside the real palace provided the images that open and close the film, and the transitions that carry the visitor from the real into the reconstruction.

How it was screened, and where to watch it still

A Timescope virtual-reality kiosk in the colours of the French Presidency, in front of the Élysée façade

In the main courtyard, four self-service Timescope kiosks screened the three films of the series.

Over the weekend, the film could be experienced in two ways inside the palace: under a tent on the garden side, in virtual-reality headsets, with our team setting up each visitor, the most immersive version and the one people queued for; and in the main courtyard, at the end of the visit, on four self-service Timescope kiosks, which also offered the two previous films in the series: “Aux origines de l’Élysée”, the palace as completed in 1722, and “L’Élysée à travers les siècles”, its architectural metamorphoses.

The doors have closed again, but the film remains: the web app elyseevr360.fr offers it on any smartphone, along with the two other films, turning the screen around you.

After the Élysée: the same journey, on the banks of the Seine

If the idea appealed to you, it does not stop at the palace gates. All year round, The Origins of Paris applies the same method, sources first and validation by a scientific committee, to the city itself: a one-hour guided walk along the quays, where our virtual-reality binoculars bring back Roman Lutetia, medieval Paris or the flood of 1910 exactly where they happened. Open from age 8, in French, English and Spanish, and with no presidential queue.

The questions we were asked

Can you still watch the film? Yes: the web app elyseevr360.fr works on any smartphone, all year round, with all three films of the series.

Is everything really reconstructed from archives? Yes. The interiors are entirely computer-generated, modelled from plans, photographs, watercolours and inventories, co-produced with the Élysée’s heritage department. Only the images that open and close the film are live footage.

Is it the same film as in 2025? Yes, “Au cœur du Palais” was created for the 2025 Heritage Days and was screened again in 2026, alongside the two previous films.

In short

“Au cœur du Palais” travels back through three centuries of the Élysée’s interiors in six spaces, from the entrance hall of 1722 to today’s presidential office, by way of Caroline Murat’s boudoir, the winter garden, the 1889 ballroom and Pierre Paulin’s vanished smoking room. Everything is reconstructed from the archives, nothing is invented, and what is not documented is not shown. Screened at the Élysée during the Heritage Days, it remains available on your phone. And to carry the journey on, the banks of the Seine are waiting.